Saturday, July 11, 2009

America Looks at Li Ching


Here's an unexpected find: an article about Li Ching from the May 3, 1966 issue of Look magazine. Written as an Orientalist fairy tale with Cold War undertones, it nonetheless provides an interesting glimpse of Shaw Brothers' "Baby Queen". A scan of the original is available here.

Hong Kong's China Doll

High on a windswept hill in the mountains behind Hong Kong's crowded city of Kowloon rises a tatterdemalion castle — a rickety sentinel above the South China Sea. A visitor, approaching on the winding mountain road, can see the battlements, a temple, village streets and, on certain days, armies of Chinese, in colorful, flowing ancient costumes, jousting.

On this hilltop lives a young Princess. She is beautiful and adored; she can be very serious or very gay. She laughs easily and has never grown stuck-up. In fact, the people on the hilltop believe Li Ching, for that is her name, is as much pixie as Princess.

Li Ching reminds one of an earlier Hayley Mills, and she, too, is a gleaming movie star. Her hilltop realm is actually the Shaw Brothers' motion-picture studio, Hong Kong's largest, a few miles from Communist China. Not one in a million Americans has ever heard of her, but Li Ching has an endless following of fans among the movie-hungry people of Asia. Last year, at the Asian Film Festival in Kyoto, Japan, she was crowned the best actress of the year. She was 17.

Li Ching works every day in the cavernous studios on this hilltop and lives with her mother in a tiny apartment on the lee side of the hill. She has acquired none of the affectations or pretensions of stardom, and although her English is scrambled, she is learning to make herself understood in the language of womanhood. An extraordinary willingness to work hard, an abundance of green talent and a youthful verve has made Li Ching a star. She was born in Shanghai, youngest of eight; all her brothers and sisters are still there under Communist rule. Her father is a seaman on a British freighter.

Li Ching was five when she was brought to Hong Kong and entered in the Precious Blood Girls School. At 12, she became a Catholic. After her freshman year in high school, she was admitted to the Shaw Brothers' drama school. She wanted to be an actress simply because, "I thought it would be fun."

Li Ching's newest picture is titled Ching-Ching [also known as Moonlight Serenade] to capitalize on her box-office pull. She plays a peasant girl being sold to a matchmaker for marriage to a rich old man. Her rebellion is the heart of the story. Before Li Ching goes on Stage 3 under the eye of Director Yen Chuen, Producer Sam Waung calmly reminds her: "You are playing a teen-ager. You don't have to act. You are yourself."

Thursday, July 9, 2009

Grace Chang: Sweet as Chocolate


Gosh... this 1950s Cadbury's ad featuring "Chocolate Girl" Grace Chang is absolutely adorable. With her sweet smile and eye-catching, milky brown cheongsam, Gracie is as irresistible as a piece of chocolate.

A great big thanks as always to Oldflames for sharing his Hong Kong movie treasures with us!

Wednesday, July 8, 2009

The Eyes Belong To...

OK, readers... here are the answers you've been waiting for. Thanks for all of your guesses and comments. And congratulations to Kathy for being the first to correctly identify all twelve pairs of eyes! As a prize, in the coming weeks I will grant her wish to see more of her favorite Shaw stars (Ling Po, Li Ching, Chin Ping, and Fang Ying) here at Soft Film.

The following calendar portraits appeared in Southern Screen No. 131 (January 1969). As always, you can click on the pictures for a larger version.

1. Ivy Ling Po



2. Li Ching



3. Chin Ping



4. Lily Ho



5. Cheng Pei-Pei



6. Ching Li



7. Margaret Hsing Hui



8. Chiao Chiao



9. Essie Lin Chia



10. Angela Yu Chien



11. Betty Ting Pei



12.Tina Chin Fei

Monday, July 6, 2009

Name Those Eyes

The year is 1969... Twiggy eyelashes and eyeliner à la Edie have hit Hong Kong in a big way. Can you match these 12 pairs of eyes with the 12 Shaw actresses listed below? Post your guesses in the comment section.

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.


A. Cheng Pei-Pei

B. Chiao Chiao

C. Tina Chin Fei

D. Chin Ping

E. Ching Li

F. Lily Ho

G. Margaret Hsing Hui

H. Li Ching

I. Essie Lin Chia

J. Ivy Ling Po

K. Betty Ting Pei

L. Angela Yu Chien

Sunday, July 5, 2009

The Fan Ho I Didn't Know


Fan Ho during his movie star days and at the opening last month of his latest exhibit

A few years ago I was surprised to discover that Fan Ho (surname Ho), whom I'd known only as the venerable monk in Shaw Brothers' four-film adaptation of Journey to the West, was also a highly acclaimed photographer. Even before he joined the Shaw studio in the early sixties, he had made a name for himself in international competitions, exhibitions, and salons. From 1958 — when he was just 17 years old — to 1965, Ho was named one of the Top Ten Photographers of the World by the Photographic Society of America.

An exhibit of his photographs is currently up at Modernbook Gallery in Palo Alto until August 2nd. I took a look a couple of weeks ago, and his work is simply stunning. Ho specializes in Hong Kong street scenes, and because the city has changed so much in the fifty-odd years since he shot them, the photos capture a world long vanished. But besides the obvious historical value of his work, Ho impresses with his mastery of light and shadow, his sensitivity to the drama of the street, his cutting social commentary, his love of the magic in everyday life, and his surprising flights into abstraction.

The nearly 150 photos on display are original prints made by Fan Ho himself during the fifties and sixties. This coming Friday, July 10th, the gallery is hosting a talk with Ho at 7pm. If you live in the San Francisco Bay Area, don't miss this chance to see him and his amazing body of work. If you don't live nearby — and even if you do — then consider buying one of Fan Ho's books, Hong Kong Yesterday and The Living Theatre. Both are handsomely designed and printed (the superb duotone printing really makes the photos come alive).

Here are a few of my favorites from Fan Ho's newly published The Living Theatre.


"Little Women"


"Multifunction Staircase"


"Renting to Read"


"The Other Side of the Theater"


"A Sad Sad Song"


"Day End Report"


"Back to Mother"


"Another Dimension"

If you want to see more of Fan Ho's work, here is a selection of images from Hong Kong Yesterday and The Living Theatre. Both books can be ordered from Modernbook Gallery.

* A big thanks to Enjoy Yourself Tonight for letting me use his personally autographed photo of Fan Ho and to Bryan and Danny at Modernbook Gallery for letting me use the recent picture of Fan Ho and the images of his work.

Tuesday, June 30, 2009

Grace Chang: Mambo Girl


Because there's no such thing as too much Grace Chang, here are two items that Oldflames kindly sent me to share with all of you: a fabulous photo of Grace flashing her signature megawatt smile and a positively smashing, pink Mambo Girl flyer.



And as if that weren't enough, here is the film's legendary opening scene. Take it away, Gracie!

Sunday, June 28, 2009

Miss Cleopatra: Chang Li Chu


Who is this sexy lady? And why is it that I've never heard of her until Oldflames sent me this superb 1968 calendar portrait.

If you've been following my blog, you know that I have a special fondness for underappreciated and forgotten actresses. Chang Li Chu certainly falls into the latter category. Her film career is a scattering of credits over nearly twenty years that, when connected together, form only an obscure picture.

According to Oldflames, Chang Li Chu was discovered by Shaw Brothers after being crowned Hong Kong's "Miss Cleopatra" in a contest held to publicize the eagerly awaited release of Cleopatra (1963), with Elizabeth Taylor and Richard Burton.

Once at Shaws, however, "Miss Cleopatra" had to hang up her tiara and unceremoniously take her place in the studio's stable of aspiring starlets. Her first work was a bit part in the famous huangmei musical The Love Eterne (1963), followed by a more substantive role as one of the Seven Heavenly Maidens in A Maid from Heaven (1963). Chang Li Chu's next film was The Story of Sue San (1964), but it seems that she subsequently left Shaws, since her only other work that year were two Cantonese films starring Patricia Lam Fung and Wu Fung, Viva the Better Half (1964) and The Tenants (1964). After that, there's a gap of two years until her next film, Prosperity Lies Ahead (1966), a Mandarin production starring Cathay star Annette Chang Hui-Hsien and veteran actor/director Wong Ho.


Chang Li Chu in A Maid from Heaven and The Treasure of the River Kwai (images from HKMDB)

Most intriguing to me is Chang Li Chu's final film as an actress, The Treasure of the River Kwai, a Hong Kong–Thai production that appears to have been released in 1967 or 1968. Judging by her prominent appearance on the movie's handbill, it might have been the biggest role of her career. (The movie's soundtrack EP seems to confirm this, as it not only includes a song by leading lady Angela Yu Chien but also a song by Li Chu herself.) I'm especially taken with her picture on the handbill: shirttails tied up in a knot, wide white belt, head cocked, thumb in pocket — a cool and sexy mod look!

Sadly, just when it seems like she got her chance to shine, Chang Li Chu dropped out of sight until the mid-70s, when she showed up back at Shaw Brothers — this time behind the scenes — as the producer of Sex for Sale (1974), Kidnap (1974), Black Magic (1975), and King Gambler (1976). Whoa... how did that come about? And what happened in the intervening years?

Once again she disappeared, only to turn up five years later as one of the producers of The Battle for the Republic of China (1981). And that's it, as far as her life in showbiz goes. Chang Li Chu quietly passed away in 2004.

And so it goes: some stars shine forever brightly in the celestial sky; some fade away, forgotten in the passage of time; and some never quite make it off the firmament.

All we can do is fondly pay tribute to the mysterious "Miss Cleopatra", Chang Li Chu.